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Αυτή είναι ή ιστορία τού Μίλτου Μανέτα, καλλιτέχνη γεννημένο στήν Ελλάδα, πού έφυγε νέος από τόν τόπο μάς και αφού πέρασε τήν μισή του ζωή στόν Βορρά - Ρώμη, Μιλάνο, Νέα Υόρκη, Λος Αντζελες, Παρίσι, Λονδίνο - ανακάλυψε τήν τυχερή γή της Κολομβίας. Σήμερα ζεί μεταξύ Μπογκοτά και Σαβινα, (Λάτσιο, Ιταλία) .



We live in days of Metascreen. Screens and networks are-for good or bad-part of nature. Screens "project", "transmit", "translate" but also "protect", "conceal" and "isolate". Screens hide from us the large view and isolate us from the whole showing us just a bit. But just a bit, just working, just playing, just making art on our computer screens, isn't enough no more... How easily impressions of the "whole" rise instead when we are looking or listening to trees, rivers and mountains. How nice we are connecting with such simulations, just by staying as still and calm in front of nature as that man on the famous painting of Caspar David Friedrich.. The essence of what we call "natural world" is transmitted effortlessly. visit ÑEWPRESSIONISM



The first art movement of the 21st Century ÑEWPRESSIONISM


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